DREAM WIFE
So When You Gonna⌠(Pod/Inertia)
Itâs the not entirely sardonic, not quite disdainful, not really stand-offish, but certainly very aware side of Dream Wife which seals the deal.
The London trio of Somerset-raised guitarist Alice Go and bassplayer, Bella Poppadec, and Icelandic/American vocalist Rakel Mjoll, have got energy to burn and while this second album is less unbound and frantic than the self-titled debut, it is plenty visceral and exciting.
Whether it is the Riot Grrrl shouty exclamations and guitar punctuations of the title track and Homesick, the grooved, sharp-hip moves of Sports! and Hasta La Vista, the album highlights which open the record, and the more angular east coast indie of Hold On Me and its RH RN, thereâs a physical presence to this record.
This time it comes with their greater ease with variety, especially the free hand at matters lighter and melodic, that escalates one of the under-recognised aspects of that debut.
Temporary is unashamedly pretty, its guitar owing more to â80s Manchester than â90s Washington, while Old Flame happily wears a Blondie badge near its frosted tips; Validation pitches Juliana Hatfield at her firmest and Wire at their friendliest, together; and After The Rain, a held-in piano ballad that peeks at both Prince and Guns ânâ Roses - then looks away - becomes the natural extension of the dreamier, not yet without hope, U Do U.
Any, or more pertinently, all of these in combination across 11 tracks would be sufficient to get a better than pass grade. Thereâs a suggestion of songwriters reaching beyond their comfort zones â not just technically but attitudinally â and if not creating genius work then at least investing each leap up the scale with a quest for adventure.
After all, slapping us around is bold and fun, making an art project into a flurry of familiar but never wholly represented shapes, is smart, but sometimes the bravest move is slowing down and showing the moving parts.
The final element, the deal-sealer, are the lyrics. Theyâre good: biting and pointed, but also frank and funny; more and more personal but also crossing borders/boundaries/ages. Some of us â ok, people like me â are going to cut you a bit of slack when you nonchalantly kick off your album with a dry, spoken âFuck sorry fuck please will you so kindly start againâ and follow it with an extended games-and-sportsball metaphor that climaxes with a repeated âThese are the rulesâ that is ice-cool.
But Dream Wife navigate offering support to a friend whose baby died (âHow is it to love and live temporary/If the heartbeat fails,know Iâm here/With a full embraceâ) and the relationships that donât survive a peripatetic life (âI know youâll fall in love with someone whoâs not so far away/Itâs hard to build a home you never really stayâ), as comfortably as they handle frank sex (âI like the way you soothe me/Each touch got me calling out for the tongue, cheek, nip, clit/Take a peek then come up for airâ).
The running amok of âDrink whiskey/Break into a cemetery/Thought it was a cemeteryâ comes in the same song as the poetic realisation of self that is âWe look, we drink/We find divinity in the faces of our friends who are experiencing/And nobody fits inâ. And the idea of active consent â basically not waiting to be asked or having your signs read but taking charge â finds lust and humour intermingled (with a droll but perfect kiss-off I wonât spoil for you) in a hectic rush: âWhen you gonna take that hand off my leg and move it higher up ⌠Pull me closer this is all going to waste âŚAlright so I guess I just have to spell it out for you/When are you gonna kiss me?â
That works for me.